Related Paintings of Rembrandt :. | Portrait of a Young Man | Belshassar Feast, | Philosopher in Meditaton | Self-Portrait | Joseph wird von Potiphars Weib beschuldigt |
Related Artists:
Sophie anderson
1823-1903 was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement. She was the daughter of Charles Gengembre, a Parisian architect, and his English wife. She was largely self-taught, but briefly studied portraiture with Charles de Steuben in Paris in 1843. The family left France for the United States to escape the 1848 revolution, They first lived in Cincinnati, Ohio, then in Manchester, Pennsylvania, where she met and married the British genre artist Walter Anderson. She initially worked in portraiture, including work for the chromolithographers Louis Prang & Co.. In 1854 the Andersons moved to London, where she exhibited her works in the Royal Academy. They returned to New York in 1858, then finally settled in London around 1863. Over the next three decades, her work was widely shown at venues including the Royal Academy, the Society of British Artists and many regional galleries.
Nicolae Grigorescu
Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
Paul-Louis Bouchard
French, 1853-1937